Tonight, we’ll be discussing Would We Be Safer if Fewer Were Jailed?, from the New York Times Room for Debate. We’ll be at Scenic Brew at 7:30.

Our test over existentialism will be Tuesday in class. We’ll finish Kierkegaard and review on Monday.

For the test, you should be familiar with these philosophers and ideas:

I may even have created a study guide for you to use here.

There were enough changes to the deadlines for this week that I thought it might best to list your due dates here.

For Friday: Read and annotate George Orwell’s Politics and the English Language

For Sunday: Turn in (using Google Drive) your two rhetorical devices.

For Monday: Turn in your Sanders revision, complete with peer edits. Printed out at the beginning of class.

This week, we’ll return to rhetorical devices. I’d like you to complete two rhetorical devices from either the A Time for Choosing speech by Ronald Reagan or The Four Freedoms speech by Franklin Delano Roosevelt.

The assignment is due in class (printed out before class begins) on Friday. If you haven’t received great grades on these in previous weeks, consider dropping in to chat about them!

 

This week we’ve got art by Caravaggio, news stories about satire and breakfast cereal, a sentence by John Irving, and more. Enjoy!

Sentence of the Week

“I am doomed to remember a boy with a wrecked voice — not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God.”– John Irving, A Prayer for Owen Meany

Poem of the Week: A Valediction: Forbidding Mourning

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
“Now his breath goes,” and some say, “No.”

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move ;
‘Twere profanation of our joys
To tell the laity our love.

Moving of th’ earth brings harms and fears ;
Men reckon what it did, and meant ;

But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers’ love
—Whose soul is sense—cannot admit
Of absence, ’cause it doth remove
The thing which elemented it.

But we by a love so much refined,
That ourselves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix’d foot, makes no show
To move, but doth, if th’ other do.

And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like th’ other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.
–John Donne

Art of the Week

Judith Beheading Holofernes is a work by Caravaggio, painted in 1598-99. The widow Judith first charms the Assyrian general Holofernes, then decapitates him in his tent. The Book of Judith tells how Judith saved her people by seducing and killing Holofernes, the Assyrian general. Judith gets Holofernes drunk, then seizes his sword and decapitates him.

rsz_1caravaggio_judith_beheading_holofernes