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Kitchen Chat and more…
Kitchen Chat and more…
The second issues of the World Literature magazines are complete, and will hit the web soon.
Period 4's The Chronicles of Larnia is available now.
Period 3's Riting Rong, Right? will soon be available here.
If you are interested in taking a look at an outstanding example of a poetry explication, look no further.
O, were I loved as I desire to be!
What is there in the great sphere of the earth,
Or range of evil between death and birth,
That I should fear, – if I were loved by thee!
All the inner, all the outer world of pain,
Clear love would pierce and cleave, if thou wert mine;
As I have heard that somewhere in the main
Fresh-water springs come up through bitter brine.
'I were joy, not fear, clasped hand in hand with thee,
To wait for death – mute – careless of all ills,
Apart upon a mountain, though the surge
Of some new deluge from a thousand hills
Flung leagues of roaring foam into the gorge
Below us, as far on as eye could see.
What passing-bells for these who die as cattle?
only the monstrous anger of the guns.
only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them; no prayers nor bells,
Nor any voice of mourning save the choirs,–
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings: climb with me the steep,—
Nature's observatory—whence the dell,
In flowery slopes, its river's crystal swell,
May seem a span; let me thy vigils keep
'Mongst boughs pavilioned, where the deer's swift leap
Startles the wild bee from the foxglove bell.
But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refined,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee.
I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head
and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear
I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and as you enter
it as easily as breathing in
I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.
I suddenly thought of Brenda Hatfield, queen
of the 5th grade, Concord Elementary.
A very thin, shy girl, almost
as tall as Audrey Hepburn,
but blond.
She wore a dress based upon the principle
of the daffodil: puffed sleeves,
inflated bodice, profusion
of frills along the shoulder blades
and hemline.
A dress based upon the principle of girl
as flower; everything unfolding, spilling
outward and downward: ribbon, stole,
corsage, sash.
It was the only thing I was ever
elected. A very short king.
I wore a bow tie, and felt
like a third-grader.
Even the scent of the daffodils you left
reminds me. It was a spring night.
And escorting her down the runway
was a losing battle, trying to march
down among the full, thick folds
of crinoline, into the barrage of her
father's flashbulbs, wading
the backwash of her mother's
perfume: scared, smiling,
tiny, down at the end
of that long, thin, Audrey Hepburn arm,
where I was king.