On Walt Whitman’s birthday, a little poem:

And who art thou? said I
to the soft-falling shower,
Which, strange to tell, gave me an answer,
as here translated:
I am the Poem of Earth,
said the voice of the rain,
Eternal I rise impalpable out of the land
and the bottomless sea,
Upward to heaven, whence, vaguely form’d,
altogether changed, and
yet the same,
I descend to lave the drouths, atomies,
dust-layers of the globe,
And all that in them without me were seeds only,
latent, unborn;
And forever, by day and night,
I give back life to my own origin,
and make pure and beautify it;
(For song, issuing from its birth-place,
after fulfilment, wandering,
Reck’d or unreck’d, duly with love returns.

Farai Chideya, writing in The Nation, argues that American media is dangerously white and elite:

When I was a kid, my family loved watching science fiction films and television shows. Some of them, from Star Trek to Soylent Green, featured a multiracial band of humans, plus various sentient life forms. But in other features—let’s say the awesomely campy Logan’s Run—everyone (or nearly) in the future was white. My family suspended disbelief for the duration of the movie. Then, depending on our mood, we either laughed at or lamented the idea that anyone thought the future would be monochrome, except for the pantsuits.

Today I feel like I’m watching that movie all over again. This time, it’s called The Future of Journalism, and we can’t afford to suspend our disbelief….

A report by the Radio Television Digital News Association, meanwhile, found that in 2011, when 35.4 percent of Americans were considered “minorities,” only 20.5 percent of those employed in television were people of color; and, shockingly, only 7.1 percent of radio employees—in that medium, a sharp drop since 1990.

Google Maps to the rescue, as a Chinese man made his way home after being kidnapped 23 years earlier:

A Chinese man has used Google maps to locate his family, 23 years after he was abducted. Luo Gang, who was kidnapped when he was just five years old, used the online tool to locate two bridges – the only landmarks he remembered from his hometown.

Luo, 28, was snatched in a small town in Sichuan province while on his way to kindergarten. He was then taken hundreds of miles east, to Fujian province, where he was adopted by a family in the city of Sanming.

 

“Our lives disconnect and reconnect, we move on, and later we may again touch one another, again bounce away. This is the felt shape of a human life, neither simply linear nor wholly disjunctive nor endlessly bifurcating, but rather this bouncey-castle sequence of bumpings-into and tumblings-apart.” –Salman Rushdie

These are some of the questions we’ll consider for our discussion test over Invisible Man. Remember, we are meeting at the Bagel Company on 11th Ave.

  1. Irving Howe reviewed Invisible Man in 1952, and wrote, “Though immensely gifted, Ellison is not a finished craftsman. The tempo of his book is too feverish, and at times almost hysterical. Too often he tries to overwhelm the reader; but when he should be doing something other then overwhelm, when he should be persuading or suggesting or simply telling, he forces and tears. Because the book is written in the first person singular, Ellison cannot establish ironic distance between his hero and himself or between the matured “I” telling the story and the “I” who is its victim. And because the experience is so apocalyptic and magnified, it absorbs and then dissolves the hero; every minor character comes through brilliantly, but the seeing “I” is seldom seen.” Respond specifically to these observations.
  2. Orville Prescott wrote, “The bewildered and nameless hero of “Invisible Man” longs desperately to achieve a personal success and to help his people. But his role as a man acted upon more often than acting, as a symbol of doubt, perplexity, betrayal and defeat, robs him of the individual identity of the people who play a part in his life. These, while not subtly portrayed, have a vibrant life which makes them seem real and interesting. They include Dr. Bledsoe, the sanctimonious and unscrupulous college president; Mr. Norton, the Boston millionaire benefactor of the college; Lucius Brockway, psychopathic engineer in the paint factory; “Ras, the Exhorter,” rabble-rouser and street prophet; Brother Jack, one-eyed and ruthless member of the “Brotherhood” committee.” Discuss.
  3. One of the major philosophical movements that motivated Ellison was existentialism, but it is unclear whether Ellison’s argument is that existentialism is a universal experience or one that is unique to the African-American experience. Using copious examples from the text and occasional reference to the notes, make an argument that Invisible Man supports the idea of black existentialism or universal existentialism.
Other questions will come up tomorrow. 

Existentialism: Jon, Dane, Emelyn, Mara

Genius: Zach, Jake, Marissa, Olivia

Oedipal: Amy, Abbey, Thomas, Tyler

Tragic/Aristotelian: Rachael, Blake, Kyrie, S-Dawg